Commissioned by Linotype GmbH, work on the book began towards the end of 2005 and was completed just in time to celebrate the 120th anniversary of this great company.
You can see some pictures at Linotype.com. This is also the place where you can buy your copy of this book!.
From the backcover:
One summer’s day in 1886, the publisher of the New York Herald suddenly
exclaimed: “Ottmar, you have cast a Line of Type!”
The “line” in question was a hot metal slug that had just been produced by a brand new machine called The Blower. This hissing apparatus, which scooped its type from a boiling pot of lead, was the latest in an endless series of attempts to set type mechanically – and the first one that worked.
After that memorable
afternoon in 1886, the machine would be called “Linotype.” Its inventor, a German
emigré named Ottmar Mergenthaler, has been recognized as one of the genius
inventors of the 19th century.
Today, it is hard to imagine what a sensation the Linotype caused; few people
realize what landslide changes Mergenthaler’s invention brought to written
communication. That’s because it was 120 years ago, and so many things have
happened since. To mention a few: the Improved Linotype, the erection of the
Eiffel Tower, the first World War, surrealism, the puppet shows and type designs
of W.A. Dwiggins, Times New Roman, World War Two, the careers of Hermann
Zapf and Adrian Frutiger, the coming of Helvetica, the Cold War, James Bond, the
advent of photo-typesetting, the death of photo-typesetting, the May 1968 uprising,
the advent of laserfonts, the death of of laserfonts, the advent of PostScript,
the death of… well no, not just yet. And finally in 2006, Linotype’s jubilee year,
the friendly takeover of the company by its old competitor, Monotype Imaging.
All of this and more is discussed in the present book. Is it possible to tell
so many compelling stories in one volume that barely surpasses 100 pages?
Alessio Leonardi, the Italo-Berlinese designer and raconteur, thought
it shouldn’t be a problem. Jan Middendorp, the Dutch-Berlinese type writer
and page maker, was skeptical but took part nevertheless.
And Linotype realized that, now that the money had been spent, they had no
choice but to publish it under their Mergenthaler imprint. Lavishly illustrated –
in glorious black and white.
Again! Some pictures at Linotype.com (where you can also buy the book!).
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